The Social Media Project
2011 – 2021
Between 2011 and 2021, Dekker contacted strangers he had never met through social media — a tattooed bodybuilder with a passion for accordion, a young painter living in a derelict factory — and asked to photograph them in their own homes. No preparation, no research, no plan. He got on a plane, knocked on the door, and worked with whatever and whoever he found.
The sessions lasted an hour, sometimes less. What happened in front of the camera was simply what happened — shaped by the energy of two strangers meeting for the first time, with all the awkwardness, openness and occasional magic that brings.
Looking back, the project documents something that no longer quite exists: a moment when social media made contact between strangers feel easy, natural and full of possibility. The people Dekker encountered were unapologetically themselves — no interest in being normalised, no need for validation. They wore their individuality without thinking twice.
Dekker could still send that message today. But something has shifted. People present themselves more carefully now, more strategically — and sometimes barely at all, hiding behind images and personas that owe more to algorithms than to lived experience. In an era where even identity can be generated, the spontaneous, unguarded openness he encountered then feels harder to find.