Innate Curiosity

2026 – present

Growing up without a phone meant finding your own way to see the world. You had to seek things out. You had to be resourceful. You had to take risks — and sometimes get caught.

Through the gap in the blinds. Through a steamed-up bathroom window. Through a peephole in a door. These were the instruments of a pre-algorithmic curiosity. Physical, embodied, slightly transgressive. The thrill was inseparable from the effort.

That impulse — to look, to wonder, to find things out for yourself — is what Innate Curiosity is about. Not nostalgia for a simpler time, but a question about what happens to curiosity when it is no longer necessary. When the algorithm anticipates your interests before you have formed them. When discovery is served rather than earned.

The works in this series invite the viewer back into that earlier mode. Objects that ask you to lean in, to reach, to look for yourself. The discomfort is part of it. So is the reward.

Dekker was born in 1980 and grew up before the internet reached the home. What do we lose when we stop looking for ourselves?

Artworks

Series I — The Peek

Series I — The Peek

Wooden frame, glass, recessed plastic passe-partout, aluminium venetian blinds, backlit photographic print on Fujicolor Crystal Archive paper, LED light panel, wall-mounted aluminium housing

2026 · 67 × 67 × 35 cm

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Series I — The Find

Series I — The Find

Original NS train wastebin, handmade magazine (HP Indigo digital print, 64 pages, A5), brown paper bag, mixed period debris

2026 · 59 × 27 × 14 cm

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Series I — The Trace

Series I — The Trace

White plastic Monobloc chair, phone charging cable, vintage binoculars, food prop, individually curated objects

2026 · 80 × 55 × 50 cm

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Series I — Full installation

Series I — Full installation

Three-work installation: The Peek, The Find, The Trace

2026

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Exhibitions & Art fairs